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All of the guitar and bass playing, all of the drumming, the singing the schlepping of equipment from place to place, the pressing “record”: all Jason, all the time. Urgent, angular, at times even manic: “Sometimes it’s you, but it’s me this time.” Further information may be obtained at www.jakerock.com. 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The most Mudhoney.\u003c\/p\u003e","brand":"Mudhoney","offers":[{"title":"CD","offer_id":53403375010159,"sku":"noc1788117493247","price":9.15,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/0169\/2271\/files\/march-to-fuzz_1.jpg?v=1788117497"},{"product_id":"smash-your-head-on-the-punk-rock","title":"Smash Your Head On The Punk Rock","description":"\u003cp\u003eReleased 10\/1\/92.  LP on green vinyl.\u003cbr\u003e\u003c\/p\u003e","brand":"Sebadoh","offers":[{"title":"CD","offer_id":53403375403375,"sku":"bla1788117507214","price":6.57,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":53403375436143,"sku":"mju1788117507215","price":7.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/0169\/2271\/files\/smash-your-head-on-the-punk-rock_1.jpg?v=1788117511"},{"product_id":"blood-guts-and-pussy","title":"Blood Guts and Pussy","description":"\u003cp\u003eOffensive cover art.  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A wonderfully captured perennial sense of unease and limbo sustains throughout each episode, with dully lit scenes and a sparsely-set location adding to the atmosphere. “We were actually big fans of the director Fabrice Gobert’s film Simon Werner a disparu, which had a soundtrack by Sonic Youth,” comments Mogwai’s Stuart Braithwaite of their decision to take the project, “and we found the story for Les Revenants incredibly interesting.”\u003c\/p\u003e\r\u003cp\u003eThe band was approached on the basis of their phenomenal work for the Douglas Gordon documentary Zidane: A 21st Century Portrait. Much like on that Zidane soundtrack, the group have turned away again from their recognised path towards the fascinating new; their familiar layers on layers of textural guitar have been stripped away, allowing isolated piano and keys to wander with grip-like tension through the fourteen tracks. There’s something intangibly Mogwai here still, but it’s been refracted through a fresh prism.\u003c\/p\u003e\r\u003cp\u003e“The whole process was completely new for us,” says Braithwaite in explaining this departure. “The remit given to us was very vague – which was ideal – but we were still working to instruction for the first time, which offered a new kind of limitation. As it was a TV series soundtrack too, there was more than four times the amount of screen time for us to put music to, had to be created in a short period of time.” That condensed nature of writing and recording is what gives the Les Revenants soundtrack its sense of immediacy. Much more has been made of repetition and looped motifs, used to enhance the both the anxiety of what’s unfolding on the screen, and also as a device for the group to experiment with refined dynamics in a new way.\u003c\/p\u003e\r\u003cp\u003e“The tension is in the story already so, with that in mind, all we felt necessary was to add to the atmosphere” comments Braithwaite on the feeling of restraint that runs through the record. “This definitely made the music more subdued than a normal Mogwai record, where the atmosphere is needed to be created completely by the music.”\u003c\/p\u003e\r\u003cp\u003eAmidst this drawn out cord of nervous energy, though, was one complete curio: “Initially we had to send the producers a load of demos and I found this cover version Washington Phillips’ ‘What Are They Doing In Heaven Today?’ I’d done solo that I’d intended to submit to a tribute album to late musician Jack Rose [from noise\/drone band Pelt who died of a heart attack in 2009]. 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I think it’s beautiful.\" \u003c\/p\u003e","brand":"Low","offers":[{"title":"LP","offer_id":53403391066479,"sku":"yml1788118561079","price":13.8,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":53403391099247,"sku":"ach1788118561080","price":9.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/0169\/2271\/files\/the-invisible-way_1.jpg?v=1788118565"},{"product_id":"eye-of-the-beholder","title":"Eye of the Beholder","description":"\u003cp\u003eFollowing the 2017 release of Watercolor, Seattle MC Porter Ray has a new collection of songs entitled Eye of the Beholder. 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It’s also the first Handsome Furs album written exclusively on keyboards. This was a conscious decision. Here in 2011, the suggestion that electronic music is cold, alien or unfeeling, somehow detached from the human experience, is as lingering as it is outdated. Handsome Furs don’t just shrug off this myth on Sound Kapital, they reject it with every fiber of their shared being. On this new album they use keyboards and drum machines to forge life-affirming anthems taut with muscle and blood. These nine songs of innocence and experience occasionally look ahead to a better world in the not-so-distant future, but Handsome Furs know what time it is: Now. They are fully engaged in the moment and their surroundings, wherever that may be.\u003c\/p\u003e\u003cp\u003e\u003ccite\u003eSound Kapital\u003c\/cite\u003e was recorded quickly, polished and rehearsed in the Furs’ derelict Montreal studio, then preserved for posterity by longtime producers Howard Bilerman and Arlen Thompson at Hotel2Tango, mixed by Finnish dudes Antti Joas and Jonas Verwijnen at Kaiku Studios in Helsinki and Berlin, and mastered by Harris Newman at Grey Market Mastering in Montreal.\u003c\/p\u003e\u003cp\u003eCold, alien and unfeeling? Hardly. \u003ccite\u003eSound Kapital\u003c\/cite\u003e is hot, noisy, over-stimulated… and ready to take on the world.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"caps\"\u003ePLEASE\u003c\/span\u003e \u003cspan class=\"caps\"\u003eNOTE\u003c\/span\u003e! When you pre-order \u003ccite\u003eSound Kapital\u003c\/cite\u003e on CD or LP, we will give you a 320k download of the entire record! 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